Fausta's Blog

American and Latin American Politics, Society, and Culture

January 28, 2009 By Fausta

Brave Benicio ran away. Bravely ran away, away.

Brave Benicio ran away.
Bravely ran away, away.
When danger rears it’s ugly head
He bravely turned his tail and fled.
Yes Brave Benicio turned about
He gallantly chickened out.

“It took seven years to do the research,” Benicio told Stephen Colbert about the movie on Che, the mansion-living, Rolex-wearing “revolutionary”. Here’s the kind of research they did:

The screenplay was based on Che Guevara’s diaries which were published by Cuba’s propaganda ministry with the forward written by Fidel Castro himself. The film includes several Communist Cuban actors and the other Latin American actors spent months in Cuba being prepped for their roles by members of Cuba’s “Che Guevara Institute.”

A proclamation from Castro’s own press dated 12/7/08 actually boasts of their role: “Actor Benicio del Toro presented the film (at Havana’s Karl Marx Theater) as he thanked the Cuban Film Institute (ICAIC) for its assistance during the shooting of the film, which was the result of a seven-year research work in Cuba.” The Cuban Film Institute (ICAIC) is an arm of Stalinist Cuba’s propaganda ministry.

Last month Benicio went on TV and was interviewed by young & sweet Marlen González of channel 41 Miami, who burst Benicio’s propaganda piñata like a bunch of third graders at a birthday party (interview in Spanish). Babalu Blog comments:

[She] asked him point blank why the “real che” was not shown. Del Toro simply could not answer and became visibly agitated, squirming and asking for a quote to be repeated. She came right out and asked him if che was an assassin. Del Burro did not miss a beat and said “No.” Other gems- he doesn’t think that all Cubans feel the same way about che, his answer to a comparison of Hitler with che was that he did not have concentration camps like Hitler but he did believe in the death penalty. El tartamudo said that the people che killed were terrorists of the Batista government and when Marlen said that 90% of those people were actually prisoners of conscience who opposed castro’s regime, he said he did not know that and asked her where she got that information. She said it was historically documented and in Argentina, too. Later, she handed him a copy of “Guevara, Misionero de la Violencia” by Pedro Corzo!

After THAT kind of reality check, Benicio has now become “brave”, and walked out of an interview when Sonny Bunch asked him uncomfortable questions about Che while snacking on guacamole:

“I’m getting uncomfortable,” Benicio del Toro said after fielding a question about his new movie’s portrayal of the Bolivian and Cuban revolutions. “I’m done. I’m done, I hope you write whatever you want. I don’t give a damn.”

With that, the Oscar-winning actor walked away, abruptly terminating an interview conducted late last week to discuss director Steven Soderbergh’s “Che.”

But before walking off on Sonny and the guacamole Benicio defined capital punishment,

“They didn’t do it blindly; they had trials,” Mr. del Toro said. “They found them guilty, and they executed them – that’s capital punishment.”

Which of course is OK… as long as it’s Che & the Cuban Communists doing it. Too bad Benicio didn’t have time to read Che’s own words.

If, having made this movie Del Toro, Soderbergh, and everyone involved in this film can’t face the facts about Che, they have earned our scorn. Let them run.

If you have a chance,
Listen to what Humberto Fontova had to say about Che in my podcast three weeks ago.

UPDATE
Castro Betrayed Che With Moscow’s Help, Says Former Guerrilla

ROME — Former Cuban guerrilla Daniel Alarcon Ramirez accused the communist island’s leader, Fidel Castro, of “betraying” Ernesto “Che” Guevara on the orders of Moscow, which considered him “a very dangerous personality for their imperialist strategies.”

Alarcon Ramirez, known as “Benigno,” told Corriere della Sera that Che’s death “was due to a machination for which Fidel Castro and the Soviet Union are responsible.”

Benigno is one of the three guerrillas in Che’s band who after their leader’s execution on Oct. 8, 1967, in Bolivia managed to elude pursuit by Bolivian troops and escape to Chile.

“The Soviets considered Che to be a very dangerous personality for their imperialist strategies and Fidel yielded for reasons of state, given that Cuba’s survival depended on the help of Moscow. And he eliminated a comrade … Che was the leader most loved by the people,” he said.

Benigno said that Che and his outfit of guerrillas wanted to export the Cuban Revolution to other nations, but they were abandoned in the Bolivian jungle.

“Che went to meet his death knowing that he had been betrayed,” Benigno said.

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Filed Under: Che Guevara, Communism, Cuba, films, politics Tagged With: Benicio del Toro, Che, Fausta's blog, Steven Soderbergh

December 19, 2008 By Fausta

Today at 11AM Eastern: Betty Jo chats about Che

Today’s podcast at 11AM Eastern: Movie critic per excellence and Movie Addict Betty Jo Tucker reviews Che, so you don’t have to.

Chat’s open by 10:45AM and the call in number is 646 652-2639. Join us!

UPDATE, Sunday 21 December
Betty Jo’s review, Guerilla Handbook:

Che is more a curiosity than a must-see movie.

Go read it all.

Listen to Faustas blog on internet talk radio

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Filed Under: Blog Talk Radio, Che Guevara, movies Tagged With: Benicio del Toro, Fausta's blog, Steven Soderbergh

December 13, 2008 By Fausta

Soderbergh’s Chegasm

People in the throes of sexual rapture don’t notice a lot of things about their lovers: the lies, the deceit, the skills that the unscrupulous use on the needy and willing to manipulate them and seduce them. The prey’s judgement is clouded by the image that the seducer displays. Since judgement is suspended, the contradictions that are apparent to others not seduced vanish into thin air.

That is also the case with people seduced by propagandists: they don’t realize that they contradict themselves by defending mass murderers and sociopaths in the name of “social justice”. Case in point, movie auteur Steven Soderbergh:
‘Che’ relevant to American politics

Why make “Che”? What relevance does it have to 2008?

“We’re certainly seeing the result of what happens when you make profit the point of everything, where money that’s being earned doesn’t represent any particular product or labor on anybody’s part.

Like a movie, you mean?

That can’t sustain, because it’s magical thinking. It can’t go on indefinitely, because eventually it crashes. Che’s dream of a classless society, a society that isn’t built on the profit motive, is still relevant. The arguments still going on are about his methodology.”

Soderbergh’s orgasm over Che has lasted long enough that he’s now inflicting a four hour propaganda movie on the paying public.

Hmmm. The paying public. And let’s not forget the push for Benicio to win the Oscar. Might there be a profit motive in that? Pejman thinks so:

I suppose I should applaud Soderbergh for not experiencing intellectual whiplash in the course of both denouncing and exalting the profit motive in a single interview but however impressed I am with that feat, I am more appalled that Soderbergh apparently did not notice the inconsistency in his commentary.

As I said, being in love and being rational don’t go hand in hand.

Nick Gillespie, who is not in love with Che:

Aye caramba. Yes, the real lesson to be drawn from a man who oversaw summary executions and ran Cuba’s economy 20,000 leagues under the sea is that profits and capitalism are evil.
…
As for the dream of a classless society, I’m not sure what the profit motive has to do with that per se (classes, as Marx would tell you, predate bourgeois society);or precisely how desirable such a thing is (I write as an arriviste whose parents grew up grindingly poor, needless to say). The U.S. has classes, for sure. What is different about this place is that class is not fixed on status or connections. It is not perfect, to be sure, but it’s a much more fluid and forgiving place than the hierarchical societies that produced Fidel and Che and it’s also a lot less stultifying than the open-air prisons they helped create.

Take a look at the Cuba Archive files, and read the names of the people Che himself killed. Then ask why Soderbergh doesn’t mention them in his film.

Perhaps it would affect his profit motive?

More on Soderbergh’s Che here and here.

UPDATE, Sunday 14 December
Del Toro Turns Into Del Burro When Confronted About the REAL Che: Here’s the interview in Spanish, parts 1 & 2,

She kicked his butt from here to Patagonia.

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Filed Under: Che Guevara, Communism, movies, propaganda Tagged With: Benicio del Toro, Fausta's blog, Steven Soderbergh

November 9, 2008 By Fausta

Mark Groubert saw Che so you won’t have to


At Crooks and Liars, Mark Groubert writes a C&L Movie Review: Che by Steven Soderbergh,

Slated to be released to theatres in January as two separate films, the revolution will indeed be televised. Soderbergh has also made a pay-TV deal to show Che to Americans on demand in their living rooms. How fitting.

Suits me fine. Unlike the Cubans in the island prison, who thanks to Che and Fidel have no choice in what they can watch on TV or read in newspapers, we live in a free country, and if you want to waste your time and money watching this “masterpiece”, by all means, you can.

I’ll bet that Benicio will get an Oscar, too (he already won Best Actor at Cannes), even when, as you can see from the preview, he played Che with a Cuban/Caribbean accent instead of Che’s characteristic Argentinian accent, which is the reason why he was nicknamed Che in the first place.

Groubert sat through the entire 4 ½ hours propaganda piece and came back quoting Che at the start of his review,

Silence is argument carried out by other means.
Che Guevara

A telling quote, indeed.

Nowhere in the review, and I asume in the film, is there a mention of the 216 people that Che Guevara himself killed between 1957 and 1959 in Cuba that The Cuba Archive has documented.


Silence also as to Che’s murderous nature, which Alvaro Vargas Llosa documents in his book The Che Guevara Myth and the Future of Liberty (emphasis added to Che’s actual words):

Guevara might have been enamored of his own death, but he was much more enamored of other people’s deaths. In April 1967, speaking from experience, he summed up his homicidal idea of justice in his “Message to the Tricontinental”: “hatred as an element of struggle; unbending hatred for the enemy, which pushes a human being beyond his natural limitations, making him into an effective, violent, selective, and cold-blooded killing machine.” His earlier writings are also peppered with this rhetorical and ideological violence. Although his former girlfriend Chichina Ferreyra doubts that the original version of the diaries of his motorcycle trip contains the observation that “I feel my nostrils dilate savoring the acrid smell of gunpowder and blood of the enemy,” Guevara did share with Granado at that very young age this exclamation: “Revolution without firing a shot? You’re crazy.” At other times the young bohemian seemed unable to distinguish between the levity of death as a spectacle and the tragedy of a revolution’s victims. In a letter to his mother in 1954, written in Guatemala, where he witnessed the overthrow of the revolutionary government of Jacobo Arbenz, he wrote: “It was all a lot of fun, what with the bombs, speeches, and other distractions to break the monotony I was living in.”

Guevara’s disposition when he traveled with Castro from Mexico to Cuba aboard the Granma is captured in a phrase in a letter to his wife that he penned on January 28, 1957, not long after disembarking, which was published in her book Ernesto: A Memoir of Che Guevara in Sierra Maestra: “Here in the Cuban jungle, alive and bloodthirsty.” This mentality had been reinforced by his conviction that Arbenz had lost power because he had failed to execute his potential enemies. An earlier letter to his former girlfriend Tita Infante had observed that “if there had been some executions, the government would have maintained the capacity to return the blows.” It is hardly a surprise that during the armed struggle against Batista, and then after the triumphant entry into Havana, Guevara murdered or oversaw the executions in summary trials of scores of people—proven enemies, suspected enemies, and those who happened to be in the wrong place at the wrong time.

In January 1957, as his diary from the Sierra Maestra indicates, Guevara shot Eutimio Guerra because he suspected him of passing on information: “I ended the problem with a .32 caliber pistol, in the right side of his brain…. His belongings were now mine.” Later he shot Aristidio, a peasant who expressed the desire to leave whenever the rebels moved on. While he wondered whether this particular victim “was really guilty enough to deserve death,” he had no qualms about ordering the death of Echevarría, a brother of one of his comrades, because of unspecified crimes: “He had to pay the price.” At other times he would simulate executions without carrying them out, as a method of psychological torture.

Silence also, here in the US – the NYT never did get around to reviewing Carlos Eire‘s magnificent memoir, Waiting for Snow in Havana because of its truthful portrayal of Che’s and Fidel’s ruinous revolution. I believe this is the only book to win the National Book Award that the NYT Book Review has never reviewed.

Silence is argument carried out by other means, indeed.

Prior posts on Soderbergh’s tribute to Che, the murderous SOB, here

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Filed Under: Benicio del Toro, Carlos Eire, Che Guevara, Communism, Cuba, entertainment, films, movies Tagged With: Benicio del Toro, Che, Fausta's blog

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